2 cd in 3-panel digisleeve with 24-page stapled booklet

cd edition in 2-panel digipack with 32-page stapled booklet.

duke ellington once said that there are 2 kinds of music: the good one and the bad one. with the compilation series shaolin soul we are always certain to be on the right side of the line since its 1st episode released in 1998 and which compiled two dozens of tracks sampled by rza and the wu-tang clan. following a second episode in 2001 and a third one in 2014, the famous curator uncle o is back to celebrate the 20th anniversary of the shaolin soul series with a fourth episode compiling 22 tracks among the rarest and finest treats of soul music, because everybodys talking about the good ol days!

arguably one of the most acclaimed and loved bands of the past 20 years, by both fans and their musical peers alike, the beta band formed in st. andrews, scotland, in 1996. innovative and singular, their unique musical and aesthetic approach to everything they did set them far apart from their musical contemporaries. together for a relatively short period of time, the three albums and three eps they released between 1996 and 2004 would nonetheless help define them as one of the most exciting and cherished bands of their generation. after acquiring the beta bands catalogue last year, because music will reissue their releases, starting on september 14th with a double cd best-of compiling all their best hits and a live show recorded at the shepherds bush empire (london) in 2004. because music will also celebrate at the same time the 20th anniversary of their 1998 compilation the three eps by releasing a deluxe vinyl edition gathering in a slipcase the eps champion versions, the patty patty sound and los amigos del beta bandidos with remastered tracks and coloured vinyls.

ceremony in the stillness is the new album from a-sun amissa - released september 14th via gizeh records and consouling sounds. for its fourth full-length, a-sun amissa plunges deeper than before. guitars come to the fore. heavy, distorted chords are present from the off, complemented by desolate ambient passages of sound. the claustrophobic atmospheres remain but combine with a new density and sonic experimentation to present a huge leap forward in structure and composition

luke viberts technicolor-schwenk durch die welt des modernen funk. kerrier district nennt sich das funkige acid-dance-projekt des englischen elektronikkźnstlers luke vibert. nach einem debźtalbum - erschienen 2004 auf dem label rephlex und zwei maxis erscheint mit 4 erneut ein longplayer. die 14 tracks sind eine gro§artige collage aus samples und beats, old-school-drum-loops, sehr viel acid-funk und intensiver elektronik-disco. inspirieren lie§ sich vibert zum teil von der legendŠren ep -black devil disco club- von bernard fevre aus dem jahr 1978, die seitdem viele musiker beeinflusst hat. schaut man sich die trackliste mit titeln wie treacle tits und -discuntek an, erkennt man zwar eine portion kauzigen humors, doch sollte das nicht zur fehlannahme verleiten, vibert wźrde seinen job nicht ernst nehmen. im gegenteil: 4, das auf cd und als trippel-lp erscheint, ist ein technicolor-schwenk durch die welt des modernen wohlfźhl-funk, basierend auf einer unmenge an material, lustvoller programmierung und fetten bŠssen. der sommer kann kommen.

variable is the first compilation on pi electronics, which also kicks off the new catalogue peva. this various artists release includes the works of several artists involved in the label till now, along with some very familiar faces to pi that have been supporting the parties in the past years. the aim was to bring the main label roster - artists with original music on pi, such as jk flesh, ontal and damcase - under the same roof as artists that have been with the pi electronics project since its early days: the label s party residents, 3.14, nemmett and das along with other fellow athenians, unhuman, bmsk and the project Òi am legion, for we are manyÓ. the outcome will be available in cd, vinyl and digital format, while the vinyl sampler will feature jk flesh, ontal, nemmett and bmsk.
regardless of the different variables, equation drops back to the same constant result.
divide and rule. sticks over carrots. repent or collapse.

on limited edition compact disc. no. welcomes canadian france jobin to the label. the montreal based artist will release her 9th album on no.. with her release entitled Ôintrication, she grapples with some truly cosmic concepts involving quantum entanglement (go on, google it..) amongst other truly magical ideas which physics tend to invent these days. musically the release can be described as Ômicrosound ambient but we think its much larger than that. it is at once comprised of microscopic sonic particles yet combines that with the warmth we know and love from the Ôambient cosmos. whilst the sub atomic particles of noise bounce around your mind, the total work weaves a warm blanket of audio enjoyment on both the micro and macroscopic levels revealing a world at once both too tiny to comprehend and too large to grasp. presented here as no. 916 for your scientific scrutiny

ideas call for realisation, realisations turn into habits, habits then quickly turn into traditions, and traditions become an intrinsic part of culture. born at the turn of the new millennium as a symbol of a new era for electronic music, kompakt s longstanding total series returns with its 18th iteration, spreading over two cds the essential of the label s last few months of intense activity and extended breadth of resources, blowing out its 25th birthday candle with the breath of a young, throbbing heart.

nice price deal !!! after a bunch of succesful, module blasting releases by german-based label struktur, it is time for another physical one. for our first compact disc, we aim at giving you a fine selection of predominantly analogue techno in all its varieties by artists from all around the globe. for this special treat, called -black circle-, we compiled 12 tracks by exciting producers for you to discover. the sounds range from more industrial, spherical and hypnotic compositions, like taken out of one of william gibson s dystopian tales, to completely overcharged, circuit-melting monstrosities, that might just leave you speechless. if you are a connoisseur of analogue sounds and well structured pieces, this is for you!

after establishing himself with rough but emotive house as rimbaudian and jungle as birds of sweden, he unveiled his dj seinfeld alias to the world, first with underground hit single u, then with his time spent away from u album on lobster fury in november 2017. it was a post break-up love letter to the dance floor with heart-on-sleeve emotions colouring the dusty and analogue house grooves. acclaim came in from far and wide, with everyone from rolling stone to pitchfork fawning over its heart swelling nostalgia and melancholic immediacy. jakobsson approached his dj-kicks with the intention of representing all the things that made him fall in love with dance music more than a decade ago, as well as showing some of the progression that has occurred in that time and reflecting the simultaneous fear of leaving something safe behind as well as the excitement of venturing into unknown territories, musically and emotionally.

over the years, berlin has been cited as oliver koletzkis main point of reference and, more importantly, his endless source of inspiration. his albums gro§stadtmŠrchen and gro§stadtmŠrchen 2 are wholehearted tributes of the german capital, as its importance is continuously hinted and charted. friedrichshain, one of berlins vibrant districts, has always held a special place in olivers heart. this is where he started out when he first moved to the city, and this is where he lives now. kreuzbergs wall paintings adorn stil vor talents cover sleeves and host their headquarters. there are little to no corners in the city that havent brought a spark of inspiration into the mix. the schneeweiss compilation series, now at its eigth installment, is built as a form of tribute to all these particles, tied in together into a series of carefully curated tracks. each compilation stands at the intersection of the musical and cultural surroundings most prominent of their respective times

to commemorate our 10 year anniversary celebration, this new release comes in the form of our beloved deepchord presents echospace project. the set was recorded live at ghost in the sound on 05/26/2013 a few miles away from hart plaza. an official movement after party curated by the detroit paranormal society in association with echospace, and now re-mastered by rod modell. from the second the bass dropped, it stole the breath from the room! this duo started off as barely more than a rumor supported mostly by the continous scarcity of their records. the duo comprised of detroits rod modell and steven hitchell have spent nearly two decades producing low-key electronic music both bordering on the verge of myth. theyre considered by many the most noted producers operating in the dub-infused aftermath of the basic channel axis and all its myriad offshoots. once their critically-acclaimed the coldest season emerged on one the uk based modern love imprint, the curtain was unveiled and the sound of echospace was born. they ve often been coined the true heirs to the basic channel legacy but their work finds a home somewhere on the outskirts of the galaxy, where detroit soul ties to jamaican roots played through a tunnel in deep space. this evocative, immersive sound that is echospace was born out of a love and passion for analog circuitry, sound design, field recordings and non-conventional methods of recording. but its also work thats quintessentially building upon the detroit electronic scene where it was born, and that divine marriage of roots and vision make the work at once so highly considered, so pertinent and so timeless. this is the first new album from the echospace duo since the critically-acclaimed silent world (ost) 3lp/cd set dropped 5 years ago, it features live renditions of some of their classics as well as unreleased material. expect gorgeous plumes of sound deeper than the ocean floor, a rich analog tapestry made and performed in the heart of detroit, techno city!

z records continues its commitment to unearthing the obscure and long forgotten tracks from the last 40 years through the ever-popular under the influence series. following on from red greg, paul phillips, james glass, nick the record and sean p itÕs now the turn of one of the scenes most respected live disco acts and renowned djÕs, faze action.

welcome to the sound of love international 001 complied by gatto fritto. love international is a festival held in tisno, croatia now moving into its third season. held to a soundtrack of the very best of underground dance music and running 24 hours a day - from noon to night and back through again - full circle. this series, masterminded with londons balearic culture website, test pressing, is curated by some of our favourite artists and djs. a place for them to choose 12 records close to their heart, and with ties to the festival, that they love and what to share with the world.

z records continues its commitment to unearthing the obscure and long forgotten tracks from the last 40 years with the much-anticipated follow up to backstreet brit funk. volume 2 has been eight years in the making and continues to showcase the best of the genre from the late 70s to early 80s, compiled once again by joey negro.

wrwtfww records is over the moon to announce the official reissue of legendary album ki-motion by japanese percussionist midori takadas mkwaju ensemble, sourced from the original masters and available in two versions: a vinyl lp cut at emil berliner studios and housed in 350g old stoughton tip-on sleeve, and a digipak cd. a highly creative and transcendental fusion of marimba, vibraphone, bamboo percussion and synthesizers, ki-motion was recorded in 1981 and captures the birth of midori takadas exploration of minimalism, african rhythmic tradition, and ambient music. the album takes its conceptual inspiration from the tamarind ( ÔmkwajuÕ in swahili), a drought resistant tree notably used to craft some of the first mallets and marimbas but also known for its culinary and medical uses, an essential symbol of life and identity for the central african grasslands. drawing from the regions culture and music as well as the crucial notion that rhythms represent the very fabric of life, midori takada leads her ensemble into environmental heaven to create one of the highlights of her recording career and an absolute must-have from the golden age of japanese ambient the ideal companion to her majestic through the looking glass opus!

if there is one album that we would take with us an a desert island its this one. the worst of krtm is one of the most refreshing records we have heard in a long time. perfectly blending industrial techno and hardcore to one unique beautiful/terrifying work of art. we could almost write a book on how unique and great this album is but lets just stop here and let the music do the talking. all hail krtm!

its time again to add another sonic journey to the watergate mix series catalogue and for this endeavour we have enlisted one of the scenes brightest shining stars and club mainstay jimi jules.

british trip-hop pioneers morcheeba return with their first new album in over five years. the band have released 8 albums that have sold in excess of 10 million records in their career. Òblaze awayÓ, their positivity-packed ninth album, marks both a fresh start in its organic approach and a return to the joyous genre-mashing of their early days, with featured guests roots manuva and benjamin biolay. there was no template for its ten, extraordinary, future-facing songs, no self-imposed limits on style, no themes to be adhered to or rules in place to break.

Ôlillygood party!Õ is the brand new bbe compilation from highly respected swiss dj alex attias. taking its name from a party he runs in his native lausanne, lillygood has gradually evolved into a radio show and even a label, now on its 4th release. refecting the music he plays at the clubnight, Ôlillygood party!Õ is packed with funk, disco, deep house and boogie bullets from across the globe. Òthe idea is to present not only rare or difcult tracks to fnd, simply good grooves for people to play out, or listen to at home.Ó
from rare japanese disco gems, through spiritual jazz, to genre defying sounds from broken-beat cohorts kaidi tatham and dego, Ôlillygood party!Õ takes a unique trip inside the musical mind of one of dance musicÕs true nonconformists.
alex attias got his start in back in Õ88 playing funk, house, jazz, and disco, as well as producing under various monikers such as mustang, freedom soundz or beatless. moving to london in Õ97 he started his ÔvisionsÕ label and found himself at the epicentre of the emerging west london Ôbroken beatÕ scene which grew around his studio at goya. releases on people, planet e, ubiquity, neroli, archive and compost followed, as well as remixes for incognito, 4hero, ennio morricone, sun ra, art blakey, roni size and laurent garnier among others.

its a funny old world, and yet again, the black dog have provided the soundtrack. our fast-approaching dystopia has been envisioned and documented by the band for decades. now, the black dogs two new albums, post -truth and black daisy wheel, translate their growing horror into some of their most accessible and impactful music, translating our manufactured reality into high energy dancefloor constructions on post -truth, and reflective ambient excursions on black daisy wheel.

ryo fukuis 1977 highly sought-after jazz gem mellow dream in a deluxe limited edition 2018 reissue cd we release jazz (wrwtfww records new sister-label) is thrilled to present the official reissue of criminally overlooked japanese jazz gem mellow dream (1977) by hokkaido pianist wunderkind ryo fukui, released in conjunction with the its legendary predecessor scenery, sourced from the original masters and available on limited edition 180g vinyl mastered at half speed for audiophile sound as and on digipack cd.

ryo fukuis 1976 highly sought-after jazz masterpiece scenery in a deluxe limited edition 2018 reissue digipack cd we release jazz (wrwtfww records new sister-label) is proud to present its first release, the official reissue of ryo fukuis highly sought-after masterpiece scenery (1976), sourced from the original masters and available on digipack cd. unquestionably one of the most important japanese jazz albums ever recorded, scenery reveals ryo fukui as a miraculously brilliant self-taught pianist fusing modal, bop, and cool jazz influences for a very personal, dexterous and game-changing take on classic standards made famous by bing crosby and john coltrane among others.

extraordinary pieces of music have long stood in direct correlation to the physical surroundings that inspire them. when oliver koletzki and niko schwind packed up their berlin studios last april to spend a month locked away in a cottage nestled in the stunning nature of cape towns noordhoek area before heading to afrikaburn, little did they know that its long beaches, dramatic mountain views and the heritage of its indigenous people would have such a profound effect on the club-ready sound they had championed with a string of eps and live-performances since 2015. the result of four weeks of geo-cultural stimuli and creative experimentation culminated in the album noordhoek, released in may 2018 on stil vor talent. while the productions on noordhoek display the same on-point sound design of previous oliver koletzki and niko schwind releases, the impressive emotional depth and electronic floor-focus of its twelve tracks effortlessly merge with complex rhythmic textures to form a contemporary narrative on ancient dance rituals. after a roller coaster ride through twelve versatile yet coherent productions, one thing is certain as the ultimate crack of thunder crashes down on noordhoek: south africa fuelled the creative energy of two remarkable musicians, who where able to translate the abundance of their impressions into a truly original world of sound.

the album explores the intersection of live and electronic music, with much of the improvised material left largely untouched to maintain its organic sensibilities. dam swindle describe the album as an electronic album with a live approach, combining our love for house, ambient and jazzy harmonics, making it a record interesting for the club, as well as a pleasant album to put on at home.

!k7 are pleased to announce forest swords as the next curator of the ever essential dj-kicks series. following acclaimed albums on ninja tune and tri angle, soundtrack and installation work, and remixes of the likes of bjork, matthew barnes aka forest swords has curated a 25-track compilation that draws a line between past inspirations and his current peers. like much of his own output, his dj-kicks skirts around pristine electronics and embraces more organic textures: 80s post punk (anna domino, dead can dance), classic 90s british electronica (orbital, mira calix), and smokey digi-dub (rhythm & sound), all rub up alongside some of the most forward-facing producers working today (demdike stare, laurel halo, fis). the compilation sifts through rhythms, shifting speeds and emotions: from pop icon neneh cherrys primal thudding to the zombified throb of exclusive forest swords track crow via deena abdelwaheedÕs clattering deconstructions to the euphoric two-step of djrum. its a collection of tracks that feels as restlessly curious and weighty as barnes own work.

they say that good things come in threesÉ it must be true and favorite recordings also proudly presents the third edition of its acclaimed french disco boogie sounds compilation series. like on prior volumes, the complete tracklist is selected by charles maurice, whoÕs unearthed 13 more forgotten and hidden tracks, all produced whether in france, in french, or by french artists between 1977 and 1987. with most of these titles now very hard to find in their original edition and unknown by many, this compilation should be a must have for any disco-boogie-funk music lover and collector. fully remastered from originals at the carvery cut (uk).

welcome to toolroom 15. celebrating 15 years of one of dance music s most recognisable and truly international independent labels. avoiding a retrospective reflection of the label s classic tracks, achievements and catalogue, toolroom are proud to present an album of all new exclusive material written by some of house music s freshest talent alongside established genre favourites, including mark knight, booka shade, tube & berger, format:b, danny howard, eelke kleijn, dosem, rafa barrios, dj s.k.t, gotsome, weiss, raumakustik, david keno, rebuke, mendo, the golden boy, harry romero, adrian hour and many more. three discs mix, edit and reconstruct these productions, offering a seamless journey through the genres toolroom have become world famous for, house, tech house & techno 15 years. 15 parties. 1 essential album.

luaka bop presents this album from contemporary brazilian legend kassin. one of the leading producers and instrumentalists in brazilian music, alexandre kassin has produced roughly 100 records for singers, including marisa monte and bebel gilberto, recorded with sean oÕhagan (stereolab, high llamas) and made a full album based on nintendo game boy sounds. he has played bass for caetano velosoÕs live shows and conceptualized the orchestra imperial band. his new album, relax, is rooted in dreams and surrealism, yet grounded enough to reach listeners where they are. across 11 tracks, kassin flirts with latin rhythms, brazilian pop, and straight-ahead soul, using this varied stylistic array to tell imagined tales of death, drug usage, politics and fate. theres a dichotomy to relax, with kassins arrangements often feeling bright and danceable, yet with incredibly sullen themes. its a record that speaks directly to the yin and yang of everyday life, and the uncertainty that comes with simply existing.

cd reissue of mano negra, the legendary first band of french singer manu chao celebrating this year the 30th anniversary of its foundation. cd in jewel case with 20-page booklet. 1991 features the tracks out of time man, king of bongo, madame oscar etc.

cd reissue of mano negra, the legendary first band of french singer manu chao celebrating this year the 30th anniversary of its foundation. cd in jewel case with 12-page booklet

cd reissue of mano negra, the legendary first band of french singer manu chao celebrating this year the 30th anniversary of its foundation. cd in jewel case with 20-page booklet.original year of release 1994 features the tracks senor matanza, santa maradona, machine gun

cd reissue of mano negra, the legendary first band of french singer manu chao celebrating this year the 30th anniversary of its foundation. cd in jewel case with 8-page booklet

cd reissue of mano negra, the legendary first band of french singer manu chao celebrating this year the 30th anniversary of its foundation. cd in jewel case with 12-page booklet. original year of release: 1992

shorelights is a collaborative ambient techno project feat. rod modell (deepchord, echospace, waveform transmission, transformations), and walter wasacz and christopher mcnamara of the detroit-based audio visual collective nospectacle. ancient lights expands the vision and the range of the shorelights aesthetic, heading into deeper territories of inner and outer space. its ambient for body and spirit, sound designed to make the human heart dance.

far out monster disco orchestra returns with black sun, its second full-length album of 100% original, unadulterated disco sophistication, featuring all three original members of pioneering brazilian jazz-funk trio azymuth, a full orchestra with arrangements split between arthur verocai and azymuths late maestro jose roberto bertrami, plus members of the legendary rio funk group banda black rio.

having grown up with and on the internet, martin steer (1986) has transformed its pull into a concept album that is just as immediate and intangible as the digital world. bad stream is guitars and machines vanishing in the spaces between radiohead and nine inch nails only to reemerge amidst ambient, noise, and drone. bad stream, then, is his modus operandi a hybrid soundtrack to the feelings of resignation, isolation, and cynicism within neoliberal cyberspace and to that strangely numbing comfort of bodies transmuting into zeros and ones in real time

scuba continues his uncompromising scb moniker with caibu, a twelve track lp of cerebral techno, darkened disco and broken beats. paul roses career has enjoyed a unique trajectory that affords his reputation as one of the scenes most forward-thinking artists, label heads and promoters. always the risk taker, his hotflush imprint is credited as a key force behind the evolution of bass music, whilst his ground-breaking booking policy for the sub:stance night at berghain opened up one of the worlds most revered venues to new sounds and musical possibility. today he continues to challenge the status quo of electronic music through a packed touring schedule, various artistic projects of his own and a weekly radio show platforming new material. caibu is his first album as scb and incorporates material from the below the line and Ôold media new society eps of last year. preceding the release, a third ep - engineered morality - continuing to explore the fictional narrative in which a climate-related disaster corrupts a hypothetical timeline. the title of the album itself refers to an imagined surgical procedure where cognitive ability is augmented through transplant from one brain to another. as such, caibu and its accompanying eps invite the listener to forge their own ideas on the development of society in the context of crisis. within this dystopic setting, caibu draws strength from introspection. at times trapped in a pressurized container, at others floating through vast spaces, scb merges subdued hypnotism, syncopated basslines and visceral ambience to find his centre.

1cd digipak, running back welcomes andreas grosser for the start of its non-dancefloor series running back incantations. released in 1981 on uks york house recordings as a cassette tape only. for the first time transferred onto compact disc É it features the previously unreleased and not less mesmerizing the quantum jump

just a few months after the release of her highly acclaimed album, only silence remains, christine ott proposed a new album to gizeh records for its dark peak series of releases. tabu is an original, live soundtrack, composed in 2012 for the movie of the same name by f.w. murnau and robert flaherty and a performance that she s playing regularly as a cine&#769,,,,-concert throughout france and europe. the magic, the beauty and the incredible light of the movie associated to its astonishing modernity have contributed to the choice of the composer. christine has been shattered and very moved by the movie, the story of an impossible love on bora-bora island, between matahi, a young pearl diver, and reri, a young woman promised to the gods. the circumstances of the death of murnau, prematurely died in a car accident before the film premiere, emphasizes the mystery around this movie. more than a cine&#769,,,,-concert, ott s creation is a black pearl, as is murnau s ultimate movie.

we are back in the hauptstadt (berlin capital) with the fifth installment of the * stil vor talent berlin* compilation series, which brings forth a group of old and new faces, who exclusively contributed unreleased tracks, gathered under the umbrella of one of berlins most iconic spots. frankfurter tor is the gateway to one of our favourite districts: good old friedrichshain. loud, left and a little dirty, it houses some of the cityÕs best clubs, markets and musicians, oliver koletzki included. its two towers stand as metaphorical guards to an area that has plenty to offer and asks for little in return, instantly making it feel like home. as always, music is the common denominator and oliver koletzki delivers the perfect soundtrack with this new release, while chrisse kunst renders the visuals.

seeking the overwhelming vibration of the genuine sound wave and its profound echo on the soul, kenneth james gibson has spent his career experimenting under a variety of aliases like as many brushstrokes to an ever polymorphic palette - successively releasing as apendics.shuffle, bell gardens, reverse commuter, dubloner, kenneth james g., kj gibbs, bal cath, eight frozen modules, and premature wigÉ the list is long. near to two years after his first incursion on kompakt with his third studio lp the evening falls , gibson returns with in the fields of nothing , his second full-length delivery for the cologne-based imprint.

moby has released a new single and video for Òlike a motherless child,Ó from his forthcoming album everything was beautiful, and nothing hurt. featuring la-based soulstress raquel rodriguez, Òlike a motherless childÓ is a re-work of the well-known spiritual, with its origins in the slavery of the american south. the track describes the void left when one feels separated from a parent, higher power or similar guiding force. over the years this powerful song has been reinterpreted by the likes of odetta, lena horne, mahalia jackson and van morrison. the album is a glowing tapestry exploring spirituality, individuality and the brokenness of humanity and finds him returning to his orchestral, soul, trip-hop and gospel roots.

on limited edition compact disc. no. welcomes canadian france jobin to the label. the montreal based artist will release her 9th album on no.. with her release entitled intrication, she grapples with some truly cosmic concepts involving quantum entanglement (go on, google it..) amongst other truly magical ideas which physics tend to invent these days. musically the release can be described as Ômicrosound ambient but we think its much larger than that. it is at once comprised of microscopic sonic particles yet combines that with the warmth we know and love from the Ôambient cosmos. whilst the sub atomic particles of noise bounce around your mind, the total work weaves a warm blanket of audio enjoyment on both the micro and macroscopic levels revealing a world at once both too tiny to comprehend and too large to grasp. presented here as no. 916 for your scientific scrutiny

the shadows is the new album from leeds-based six-piece tomorrow we sail. building on their debut release for those who caught the sun in flight (gizeh, 2014) over the course of three years, this new work combines perfectly the soaring atmospherics, gorgeously intertwined vocal harmonies and dramatic shifts in tone and dynamics that have come to characterise tomorrow we sailÕs sound. yet, there is a new sense of urgency here. very much an album of its time, the shadows draws upon the same sense of connection to both past and present that defined its precursor but features storytelling thatÕs even more defiant and deeply personal.
like its predecessor, the record features seven songs but from the chiming guitars of opening track side by side it is clear that the stately pace of for those who caught the sun in flight has made way for a far more dynamic and driving energy, perhaps best captured in the righteous anger of the ghost of john maynard keynes. tomorrow we sail still invoke a keen sense of measured grace in their songwriting - from the sweeping, elegiac title track, through to the sparse, restrained, yet haunting beauty of winifred and to sleep. urgent, yet assured, the shadows demands your attention.

three years after the much-loved second volume, wankelmut is back with the third edition of his wankelmoods compilation series. it is a fine window into his unique musical mind which packs lots of moods and grooves into its standout 24 tracks.

it seems somehow surprising that its only now that james zabiela enters the fold of balances compilation selectors. a perfect fit for the series, his unfeasibly intricate approach to djing shinesthrough on this sprawling two-parter, created through a back-and-forth process between his pioneer ddj-rz and ableton and featuring two exclusive new productions from the man himself.

all clear cd jewel case with 8 pages booklet, no inlay, the cd is put upside down on the tray so its label is visible from the back of the packaging. molecule returns with a new odyssey both physical and musical. following the success of 60¡43 nord, his concept debut played, recorded and mixed on a fishing boat during a 34-day journey in the atlantic ocean, the french producer decided this time to take the process further up north and embarked on a voyage to greenland. isolated for five weeks in the small inuit village of tiniteqilaaq, romain delahaye used his survival electrokit to find new sounds in the fjords, the icefields and the hostile yet dazzling landscapes surrounding him. entirely recorded and mixed in this remoted place, the tracks of -22.7¡c range from contemplative ambient atmospheres to more upbeat techno blizzards and accurately translate this epic self-reflective adventure across a land of contrast, its abyssal silences, its immaculate glaciers and its blinding whiteness. with ten previously unheard tracks and very enthusiastic early feedbacks from medias internationally, -22.7¡c is set to confirm molecules status as a one-of-a-kind producer in todays electro scene.